Fiction is an integral part of individual life. Man has an inherent need for diversion to get away, even though for a few minutes, from the humdrum of life. Story telling has been among the earliest ways of accomplishing that and over the ages it has become the diverse forms of entertainment we have in the present day world. Entertainment is basically of two kinds – active and passive. The busy involves physical participation in one manner or other, while the passive does not. Fiction is basically a passive entertainment though the mind has an important part within it. Fiction always involves visualization whether it is covert or overt. The earliest form of overt visualization was the enacting of dramas since the cultures developed. The growth of technology introduced in its contemporary forms – cinema and tv. The key form is inherent to story telling and reading. It is an inherent characteristic of the human (or perhaps any) mind a notion is always accompanied by an image. So as soon as one hears or reads a story the mind visualizes the scene and the characters; this procedure continues throughout the story and often even after it’s ended.
Character growth can be among the most important things about science fiction. You want to produce a realistic group of personalities to move your plot along and to do that you need to know them. But how much can you must know about them before you begin writing?
Well, that depends on the kind of story you’re writing. The length of your tale will dictate the quantity of character information you will have to create them come to life. For simplicity’s sake, I’ve broken my character sheet down into what I use for each kind of writing. Your character sheets might vary.
Fiction with its very definition is unreal. After we read a novel we are aware that the narrative and the characters in it are merely a product of creativity of the author. When we see a film we know that the characters are just acting their parts basically pretending to be someone other than themselves. Still we are emotionally affected by the turns and twists in the story. We laugh, weep together, and even feel indignant towards the bad guys. The lovable hero or heroine may be despicable in real life and the protagonist might be a perfect gentleman, but we identify them with all the characters they are portraying. In essence for this short period we get hauled to the imaginary world of the writer. Oddly enough this happens also with the writer at least to some of them. He or she goes through the same emotions while composing and perhaps later as well. Well, what do you feel about that so far? No question, we are just getting started with all that can be known about click resources. A lot of people have found certain other areas are helpful and contribute excellent information. Continue reading through and you will see what we mean about crucial nuances you need to know about. Try examining your own unique requirements which will help you further refine what may be necessary. You will find out the rest of this article contributes to the groundwork you have built up to this point.
“Knowledge is limited, imagination isn’t.” Albert Einstein explained that even though the wording of the next part might have been different. Einstein like any other human being was not infallible. A number of his views he held right till the ending turned out to be incorrect even in the subject of physics. In this particular announcement he also seems to have it backwards. Knowledge might be restricted in the case of an individual but generally it’s unlimited even when we consider just rational understanding leaving apart transcendental. Science in particular has demonstrated this at each step in the course of its own development. Imagination pertains to an individual mind and is constrained by numerous factors based on the circumstances of the person. A mind can imagine only what happens in a way to things already stored inside. Someone who has never been outside a distant place in wilderness and has had no contact with the world outside cannot imagine what metropolitan cities would be like.
Getting back to fiction the imagination of the writer also has to be based on his direct or indirect experiences. In this sense fiction relies on reality and to that extent it represents just another dimension of truth. Here of course we run into the philosophical difficulty of the exact meaning of reality. There are two diametrically opposite viewpoints – materialistic and spiritualistic. In accordance with the prior only things which can be perceived through our senses are real, everything else is unreal. The latter maintains that there’s just one ultimate fact from which we perceive comes out and what that is perceived is simply an illusion. We consider a statement by Einstein: “Reality is merely an illusion, albeit a persistent one.” He was obviously referring to the fact of this phenomenal world. The term illusion can have different connotations but in general it means perceiving something as different from what it really is. Therefore the existence of this thing is a prerequisite for illusion, it isn’t a mental construction. Imagination is a mental phenomenon and has nothing to do with anything really existing. Thus the connection between fiction and reality is completely different from that between illusion and reality. It does take some time to write a complete story for any kind of book.
At a philosophical sense the phenomenal world itself may be considered fiction. This is exactly what Shakespeare perhaps meant when he wrote: “All the world’s a stage, and all men and women merely players”. We might as well consider everything in the world (space, time, issue) as gamers since everything has its entry and exit. We of course run into the problem of stating what the point is and who wrote the script. Shakespeare likely believed in God, strict determinism, also at the truth of the world, so he didn’t have this problem. Now it’s usually believed that the world also includes a beginning and will have an end. If the world is also a player, are there multiple universes or does it come alone on the stage then introduces other players? However, what is the point in this case? Quantum physics points to a single possibility. At extremely small scales of space and time there is a quantum emptiness that is not really empty but full of energy that is constantly changing itself into virtual particles as well as back. What remains after the conclusion of the world may be an infinite variation of the quantum emptiness filled with energy into which each of the matter has transformed itself. This universal energy is the origin of and background for all.
It isn’t only a philosophical point. We spend a substantial part of our own life from the fictional world. We muse about the things in long run and dwell over the prior imagining what could have been. The creativity about the future is dependent on our hopes and ambitions and also to some extent it is a positive in the sense we are in a position to mold our future if we sincerely try. But musing over the past is really a futile exercise since we all know for a fact that ‘what could have been’ is mere fantasy that never happened. Nevertheless it serves the same purpose as fiction from the point of view of entertainment. We entertain ourselves by imagining how life could have been, knowing fully well that it has no fact whatsoever. In a metaphorical sense past, at least the remote past, is fiction. At a particular sense history itself is fiction as it always contains the subjective bias of the writer. What we understand of Buddha and Jesus now is more fiction than facts.